The Botanical Wallchart: Art from the Golden Age of Scientific Discovery (London: Ilex); Botanical Art from the Golden Age of Scientific Discovery (Chicago: University of Chicago Press) 2016; 224p, 300 color plates. 

(from the introduction) More than an archive of illustration and inquiry, this book documents an extraordinary convergence of disciplines that flourished in the late-nineteenth and early-twentieth centuries. Europe was enjoying a golden age of scientific discovery; naturalists were exploring the globe, and there was a clamoring for knowledge of the natural world. A pedagogical curiosity was no longer limited to elite salons and research; education was now considered a right afforded to all, in classrooms across the globe. And thus the botanical wall chart was born: a synthesis of art, science, and education.

The book’s chapters are organized by plant family, allowing readers to compare how illustrators from different countries and teaching backgrounds would represent the same species or family, and to learn about basic taxonomy (a summary of the family’s characteristics is included at the beginning of each chapter). In most cases, nineteenth-century botanists grouped species according to a classification system that persists today. In other cases, a species has since been renamed or reclassified—taxonomy is a subject that has long vexed botanists, striving to categorize plant species into groups that reflect their behaviors and evolution. Although Linneaus developed a useful framework of binomial nomenclature, it was only a beginning. Botanists today are still reclassifying and weighing morphological features. Just as species evolve, so does science.

Each wall chart is accompanied by long-form captions that offer information about the science featured, the scientists and botanical illustrators who created it, and any particularly interesting or innovative features the chart displays. Horticulturalists and biologists will be pleased to discover useful information about plant anatomy and morphology and species differences. We see lilies and tulips, gourds, aquatic plants, legumes, poisonous plants, and carnivorous plants, all presented in exquisite, larger-than-life detail. 

Purchase:  Amazon UK / Amazon US

“The euphoria of scientific breakthrough jumps from the page …”
The English Garden (magazine) 


(above) Unrolling & organizing charts in the attic archives at Berlin Botanical Garden & Library was a thrilling and dusty task.


"Laurent has curated an exquisite collection of historic botanical art. This book is a treat for those who enjoy reading about botany, the history of science, or botanical illustrations." New York Botanical Garden

I wrote about the process of writing the book & a history of the charts for Undark magazine.

Listed as a Best Science & Nature Books of 2016, Book Scrolling

Town & Country magazine, Editor’s Choice, Your Next Read, November 2016

Sunday Telegraph, Holiday Gift Guide, December 2016

“This is a fabulous book. . . . Go out and buy a copy—you will not be disappointed.” Economic Botany

“This spectacular work should be in every primary and secondary school and higher … the very art and science presented in this book was once used in the classroom to teach about the great age of discovery from all over the world … a two-page spread showing Dionaea muscipula (Venus flytrap) and Drosera rotundifolia (common sundew) is mesmerizing.”— Barney Lipscomb, Botanical Research Institute of Texas, Fort Worth, Texas, U.S.A.” Journal of the Botanical Research Institute of Texas

“In Botanical Art from the Golden Age of Scientific Discovery, the reader is introduced to the beautiful wall charts [that were] once used around the world to explain plant structure, form, and classification … re-created in large format, stunning color, and are arranged according to plant families. Each family is described and followed by representative charts. Lively captions give further information about the plants, the scientists, and the artists. The book’s seriousness is evident in the glossary. This title will serve well in an introductory botany course. Those interested in pedagogy, plants, and art will find pleasure and inspiration in this book.”— D. H. Pfister, Harvard University, Organismic and Evolutionary Biology

“For a scientific understanding of how plants work, there is no better teacher than a beautiful drawing.” — ‘The botanical writing is on the wall’, Sunday Telegraph, Bunny Guinness, October 28, 2016